Monthly Archives: February 2015

And the 2015 Oscars Should Go To…

WritingAnother year has come and gone. I’m doing a repeat of my previous years’ projects in which I endeavor to watch every single Oscar-nominated movie in every category. Last year, I was able to write full reviews for each movie. This year, due to extenuating circumstances, I lacked the time to write full-length reviews (I had the flu, plus my mother has been in the hospital). However, I have still watched as many movies as possible and will cover the possible winners in brief here. As with previous years, there were some movies that I simply could not see. This year, I missed three films: “The Salt of the Earth” (nominated for Best Documentary), “Wild Tales” (nominated for Best Foreign Language Film), and “Glen Campbell: I’ll Be Me” (nominated for Best Original Song). And, as usual, for those categories, I’m simply going to ignore those films, which may or may not skew the results. We’ll see.

I will be live tweeting the Academy Awards, so follow me now.

Best Picture
My pick: “Boyhood”
What will probably win: “Boyhood”
Why: Word of mouth began to spread around the release of “Boyhood” because of the magnitude of the project, filming with the same actors over 12 years. But this movie was released during summer, not the typical prestige season of autumn and winter when studios are trying to get people to talk about their movies. And people were still talking about it. “Boyhood” is a film with staying power. If a film tried to ride solely on the gimmick of being filmed over such a long time, it wouldn’t have that. However, this film told a touching story of a family and shows how they evolve as individuals and in their relationships to one another over the years. Often, if you don’t relate to all of the characters all the time, at least at some point you can relate to at least one of the characters and say “Yeah, that’s kind of how I feel/felt.” “Boyhood” was a great film and the producers deserve this award for what they’ve achieved.

Best Performance by an Actor in a Leading Role
My pick: Eddie Redmayne (“The Theory of Everything”)
Who will probably win: Eddie Redmayne (“The Theory of Everything”)
Why: While there’s a potential for upset, the big buzz is around Eddie Redmayne’s performance as Stephen Hawking, which is something to behold. If you watch older and newer videos of Professor Hawking, Eddie Redmayne has every subtle movement and gesture down pat, and manages to convey emotions through the tiniest movement, even just his eyes. This takes tremendous skill. While there did seem to be some buzz about Benedict Cumberbatch’s performance in “The Imitation Game,” much deserved though it was, it has been more recently overshadowed by talk of other performances and by Cumberbatch’s interview blunder, which came at quite possibly the worst possible time during awards season.

Best Performance by an Actress in a Leading Role
My pick: Julianne Moore (“Still Alice”)
Who will probably win: Julianne Moore (“Still Alice”)
Why: This was a hard category for me to decide on this year, primarily because while I found the nominated performances quite good, something about each one didn’t quite click completely right. But if you want a front runner, it would be Julianne Moore. Now, in this case, I’m a little biased against this performance. Having watched my grandfather suffer through Alzheimer’s, I didn’t completely believe Moore’s performance because it didn’t match entirely with my personal experience. Still, the role she plays is touching and memorable, no pun intended. Of the five nominated performances, this one would be my pick.

Best Performance by an Actor in a Supporting Role
My pick: J.K. Simmons (“Whiplash”)
Who will probably win: J.K. Simmons (“Whiplash”)
Why: The old saying goes that audiences will hate a good villain, but love a great one. And Simmons portrays a great villain in “Whiplash.” As a tyrannical music teacher, you hate him and his abuse of his students, and yet part of you knows that he’s pushing them to be their best in the way he knows how. Among the performances in this category, Simmons by far stands out. Hopefully, he won’t throw a chair at anyone’s head if there’s an upset.

Best Performance by an Actress in a Supporting Role
My pick: Patricia Arquette (“Boyhood”)
Who will probably win: Patricia Arquette (“Boyhood”)
Why: Arquette’s performance in “Boyhood” is really the only one in this category that people won’t shut up about, but with good reason. Not only did she stick with the role for 12 years, but she really put in a great performance throughout the entire process and shows an evolving, relatable character. This one I’m most comfortable saying is a lock.

Best Achievement in Directing
My pick: Alejandro González Iñárritu (“Birdman”)
Who will probably win: Richard Linklater (“Boyhood”)
Why: Finally, we get a divergence where I will probably disagree with the Academy’s choice. This one I’m not entirely sure about, and it could go either way. Iñárritu should win. “Birdman” is a marvel to watch, driven heavily by excellent directing and some clever editing. But Linklater may have the edge just because of the sheer scope of filming “Boyhood.” While Linklater certainly does an admirable job in the director’s chair, “Boyhood” felt like it was more heavily producer driven. Admittedly, Linklater fills both roles, but this is the Director award, so I’m sticking with my personal pick of Iñárritu.

Best Writing, Screenplay Written Directly for the Screen
My pick: “Birdman”
Who will probably win: “The Grand Budapest Hotel”
Why: This one is almost a three-way tie for me between “The Grand Budapest Hotel,” “Boyhood,” and “Birdman.” I would ultimately pick “Birdman” because the screenplay feels more unique and leaves a lot to the imagination. I will not be at all disappointed if “The Grand Budapest Hotel” wins, and I’ll admit that I have a weakness for Wes Anderson’s films, but “Birdman’s” screenplay feels more edgy and demands your attention.

Best Writing, Screenplay Based on Material Previously Produced or Published
My pick: “Inherent Vice”
Who will probably win: “The Imitation Game”
Why: “Inherent Vice” likely doesn’t stand a snowball’s chance in Hell of winning, but I like Paul Thomas Anderson’s work and he did a commendable job attempting to adapt a book that doesn’t lend itself all that well to the big screen. Just the fact that he had the guts to try to adapt Pynchon deserves some points, even if it felt clunky at times. But “The Imitation Game” is a much more accessible film with a sturdier screenplay, giving it the popular edge.

Best Animated Feature Film of the Year
My pick: “The Tale of Princess Kaguya”
Who will probably win: “How to Train Your Dragon 2”
Why: I’ll admit that I have a weakness for Studio Ghibli films, but “The Tale of Princess Kaguya,” while having a beautiful story, is also visually fascinating to watch. The art style is enchanting, but the story may not be the most accessible to some audiences. Don’t get me wrong. “How to Train Your Dragon 2” was an excellent film and was possibly better than the first one, but for a truly magical film, “The Tale of Princess Kaguya” is the correct answer.

Best Foreign Language Film of the Year
My pick: “Tangerines (Mandariinid)”
Who will probably win: “Ida”
Why: This is where it gets tricky because I was unable to see one of the nominees (“Wild Tales”). In addition, the nominees in this category make me wonder if Hollywood needs Prozac or something, because these films are so depressing. Then again, the four I saw are from Russia, Georgia/Estonia, Poland, and western Africa, so not the happiest of places. My particular favorite was the Georgian/Estonian film, “Tangerines.” It tells a defined and concise story set during the War in Abkhazia. With well-defined characters and the story of a war told on a small scale, it’s a well-made film. The winner, however, will probably be “Ida.” You know that when a foreign language film receives nominations in categories other than the Best Foreign Language film category, the Academy will take notice. Unfortunately, I did not particularly like “Ida.” Not only is it bleak, but the character changes seem too convenient and happen solely to move the plot along. Not a fan of this one.

Best Achievement in Cinematography
My pick: “Birdman”
Who will probably win: “Birdman”
Why: Likely a lock for Cinematography, “Birdman” is well deserving of this award. The camerawork is amazing. With the lengthy shots, movements, and very precise framing, it is a technical wonder and the camera takes the audience from their seat to being a participant walking around the set and observing everything going on.

Best Achievement in Editing
My pick: “Boyhood”
Who will probably win: “Boyhood”
Why: Taking 12 years of footage and editing them together as the actors evolve into a cohesive story is no easy task, but this was accomplished with great success in “Boyhood.” In fact, due to the nature of the film’s production, editing would have become so crucial that a poor job could have completely destroyed the film. But make no mistake, it was done and done well.

Best Achievement in Production Design
My pick: “The Grand Budapest Hotel”
Who will probably win: “The Grand Budapest Hotel”
Why: While the sets of several of the nominees are interesting to watch, “The Grand Budapest Hotel” creates a delicate mix of grandeur, humility, and style. In creating a fictional hotel (among other settings), artistic stylizing and imagination are combine with technical prowess to create a borderline fantastical but ultimately believable setting.

Best Achievement in Costume Design
My pick: “The Grand Budapest Hotel”
Who will probably win: “The Grand Budapest Hotel”
Why: Similar to production design, the costumes are loosely based on actually uniforms and clothing but then artistically changed to create a fictional but believable setting. Most of what I said above for Production Design applies here.

Best Achievement in Makeup and Hairstyling
My pick: “Foxcatcher”
Who will probably win: “The Grand Budapest Hotel”
Why: This one is difficult. My vote is for “Foxcatcher” because of the way they disguised the actors and made them look like the actual people their parts were based on to make a film based on a true story. Admittedly, this wasn’t entirely makeup, and I have to give props to the actors, especially Steve Carell who is unrecognizable not just because of the makeup but the way he loses himself in the character. However, the award will likely go to a film slightly more accessible to a larger audience, that being “The Grand Budapest Hotel.”

Best Achievement in Music Written for Motion Pictures, Original Score
My pick: “The Theory of Everything”
Who will probably win: “The Grand Budapest Hotel”
Why: The musical score for “The Theory of Everything” adds greatly to the emotional states of achievement and loss, and creates an atmosphere befitting the grandeur of Stephen Hawking’s endeavors. However, again, I feel the award will likely go to “The Grand Budapest Hotel” simply on the grounds of accessibility.

Best Achievement in Music Written for Motion Pictures, Original Song
My pick: Everything is Awesome from “The Lego Movie”
Who will probably win: Glory from “Selma”
Why: Just for comedy and its satirical value, Everything is Awesome is…well, awesome! However, Glory from “Selma” is the likely winner, and I expect it to be influenced heavily by those angry that the film received only two Oscar nominations and wanting to ensure that it wins at least this one.

Best Achievement in Sound Editing
My pick: “Interstellar”
Who will probably win: “American Sniper”
Why: Sound editing was crucial to “Interstellar” in creating these alien worlds and environments, which requires artistic talent and not simple sound mimicry. However, this award more often than not seems to go to war movies, hence “American Sniper’s” likely win.

Best Achievement in Sound Mixing
My pick: “Whiplash”
Who will probably win: “American Sniper”
Why: If “Whiplash” doesn’t get this award, it will be an absolute travesty. The film is so dependent on its precise sound mixing and would have fallen flat on its face otherwise. And yet, there are times during the film that you just want to close your eyes and listen to it rather than watch it, because the sound mixing is that good. However, again, war movies seem to have an advantage in the sound categories, and I’m not entirely confident that the Academy knows what it’s doing with these technical awards.

Best Achievement in Visual Effects
My pick: “Interstellar”
Who will probably win: “Interstellar”
Why: First, “Interstellar” had a lot of buzz behind it. Secondly, the visual effects are used to convincingly create alien environments that could theoretically exist. It’s fantastical and yet the visual effects artists use restraint to make sure it’s believable, something that was crucial to this film’s success.

Best Documentary, Feature
My pick: “Citizenfour”
Who will probably win: “Finding Vivian Maier”
Why: If ever there was a film everyone needs to see, it would be “Citizenfour.” Filmed mostly in a Hong Kong hotel room, Laura Poitras and Glen Greenwald interviewed Edward Snowden before and during the process of the NSA’s spying activity coming to light. It is an issue that seems to have been buried under other stories since it first broke and is an important reminder of what is happening in the United States and around the world. However, over the last couple of years, Hollywood has gravitated to more of the feel-good documentary, of which “Finding Vivian Maier” would be the most qualified to fit the bill.

And that’s it. We’ve made it through another year. Congratulations if you’re still reading this!

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