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In Memory of My Grandfather, Jack Freedman

My grandfather passed away three days before this last Christmas. It was emotional. It threw us all. He was my last grandparent. I delivered the following speech at his funeral. I meant to put this up quite some time ago, but never got around to it. I think that I just didn’t want to touch it again for fear of the emotions it would bring back up. But I promised myself and others that I would post the speech here for posterity. I need to post more often because lately, it feels like I’m only posting to this blog when someone close to me passes away.

The following speech was given at my grandfather’s funeral on December 26. We love you, Grandpa:

Ninety-four. How do you encapsulate 94 years full of life into a short speech? Especially when my grandfather was so many things to so many people. A son, a brother, a husband, a father, a grandfather, a great grandfather, an uncle, a friend, a mathematician, an engineer, a teacher, an athlete, a card player, a movie-lover, a traveler… I feel like I could keep going for the rest of the day and still not be able to touch on everything he was. He was such a consistent presence in our lives that it was easy to believe he would be here forever, probably because it was almost impossible to imagine life without him.

I could talk about how he and I would go to the movies, just the two of us, usually to see something no one else wanted to. He had an appreciation for silly schlocky movies that I think I picked up from him. I could talk about how, when I and the other grandchildren were little, he loved to tickle us until we practically couldn’t breathe. About his smile that easily reached his eyes and would light up his whole face when he saw you. About his laugh, that the best I could describe it as would be a close relative of Barney Rubble’s laugh from “The Flintstones.”

A few days ago, we had to sit down and explain to Viviana that my grandfather had passed away. It’s hard to explain what it means in terms a 6-year-old can understand, especially something that, let’s be honest, do any of us really understand it? But she said something that stuck with me. She said that what she thinks happens to us is that we go up into the sky and become a star so that we can watch over our loved ones (she said this in a more roundabout way that a 6-year-old does, so I’m paraphrasing a bit). But it made me think of something.

My grandfather was a brilliant mathematician and engineer. He worked on several high-profile projects. We’re talking about the kind of things that made the news, although he himself never sought the spotlight. He always said that to him, it was just the job he was hired to do. But there was one project of his that always stuck out to me: the Galileo space probe. Being a science nerd, something that he actively encouraged, I was fascinated by this project. For those who aren’t familiar with it, it was the first probe of its kind. It was sent to orbit Jupiter and drop a probe into its atmosphere to take readings, something that had never been done before, and paved the way for other such projects later. I found out after its launch that he was on the team that designed it, and I was in awe when I found out. Galileo orbited Jupiter until 2003 when it was sent into a final descent into Jupiter. We think we know what happened to it then, but there is some room for speculation, and there it will remain.

For those of us who have had project-based jobs, we know that on particularly large or intensive projects, it can feel like you put a part of yourself into the project. While my grandfather maintained that it was just his job, I’m sure a part of him felt that way. In a way, it’s almost as though a part of my grandfather is up there.

So I know that on some night, I’m going to be outside with my daughter, and I’ll point up at the night sky and say, “You see that, right there? That little point of light right up there? In a way, a part of your great grandfather, his brilliant mind, is up there and a part of that light, and he’s watching over us right now and smiling.”

Aside

Of all the Super Bowl commercials yesterday, this one is easily the most horrifying. I’m going to have nightmares about this. Continue reading

TV Rot: “Sleepy Hollow” Season 1

Sleepy HollowLast night a week ago (sorry it took so long to get this up), I finished watching the first season of “Sleepy Hollow,” and I thought it would be interesting to really sit down and think about what I just saw. There will be spoilers, so consider yourself warned.

Based very, very loosely on “The Legend of Sleepy Hollow” by Washington Irving, “Sleepy Hollow” uses very, very loose interpretations of characters from that story for a modern day supernatural thriller which chronicles the beginning of the Apocalypse. Ichabod Crane is now a Revolutionary War soldier as opposed to a superstitious school teacher, and is actually responsible for the Headless Horseman becoming headless. And the Headless Horseman is now Death, one of the four Horsemen of the Apocalypse. So, it really has nothing to do with the original story except for the names.

That’s not to say that it’s bad. Actually, the show has a certain charm to it, as well as being very plot heavy with little padding. What works?

Well, to start, the short season works very well. With only thirteen episodes this season, the show didn’t rely on much padding or side stories to fill time like other shows do (*cough*”Lost”*cough*). As a result, the show ends up being very fast-paced with huge plot-important revelations every other episode. Actually, I’m a little concerned about this fast plot, as the writers could write themselves into a corner very easily in a short time span. But it does keeps the show focused rather than having the characters pursue every shiny object that crosses their path.

I like that the main villain is not Satan. It would have been so easy to rely on a tried and true (and overused) villain. Instead, the writers have gone with a very specific demon as the villain: Moloch. It was actually somewhat refreshing to see them not fall back on Satan. As a matter of fact, Moloch has a very rich history in ancient mythology, and it would be fascinating to see them bring that in and include it in the overall plot. In addition, I get the impression that the Horsemen are not actually on Moloch’s side, but that they’re more like mercenaries and Moloch is buying them off with promises of love to Death and revenge to War.

The acting is generally good, although occasionally hammy. Tom Mison play Ichabod Crane as a man confused and out of time only when it’s plot convenient or for a joke, but seems perfectly comfortable and well-adjusted the rest of the time. Nicole Beharie does well as Lt. Abby Mills, but I feel she’s somewhat underutilized and is remaining unexplored as a character except for what she saw in the woods as a child. Other than that, she’s almost a generic cop. Captain Frank Irving is much more deeply explored, portrayed excellently by Orlando Jones who shows how torn he is between his job and his family.

Finally, and a bit of a letdown, is Henry Parrish. I know that statement is going to be controversial, but hear me out. When Parrish is introduced, it appears to be as a one-off character played by John Noble, an actor of extraordinary talent. But that’s where the problem comes in. When Parrish began to appear repeatedly, you realize very quickly that something is up. And when Parrish’s true identity is revealed in the season finale, it doesn’t come as much of shock as the audience has now been expecting it. In fact, the whole reveal that he is actually the Cranes’ son felt a little too tidy. We knew that Jeremy was going to play a bigger role and couldn’t have just died. That would have been totally pointless, and one thing the first season of “Sleepy Hollow” has shown is that they use everything they introduce. But having Parrish be Jeremy felt like they were economizing their characters a little too neatly, and it became obvious that Parrish was more than he was letting on when he kept coming back.

And, let’s be honest: The Headless Horseman carrying a machine gun. Good for a laugh, but mostly silly.

So, what do I want to see from the next season? Well, for starters, I would like them to stick to a short season format. Thirteen episode a season seems perfect, and prevents the show from having to rely on padding. Don’t over-extend yourselves, guys. We’ll obviously need to get personifications of the other Horsemen, although Pestilence sort of showed himself (or herself) already. I would like to see more of Moloch’s background and character explored. It seems like there’s so much more that isn’t being said there. Andy Brooks will need to return since his “death” after his transformation felt lame and a waste of his character. They’ll also have to either play up Ichabod Crane being a man out time or give up on it altogether, but they really need to find a mood with his character.

Ultimately, the first season acted as the setup. The second season will be where the show either explores and intrigues or goes off into the realm of the silly and mediocre. In other words, the second season is what’s going to make or break “Sleepy Hollow.” The first season has been interesting, but not without it’s problems, so they either fix these with the second season or risk killing the show. I’ll be watching the second season to find out.