Why I Blacked Out: Thoughts on SOPA and PIPA

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UPDATED January 20, 2012

For those few who follow my blog, you will know that yesterday I blacked it out in solidarity with other sites like Wikipedia and Reddit in protest of the Stop Online Piracy Act (SOPA) and the Protect IP Act (PIPA). These bills are incredibly dangerous, but they need some explanation. Several good explanations have been given by others online, but as someone who has watched the fight over intellectual property online for years, I would like to give my own take on this. I’m not going to go into the legalese of it, but I will give my opinion on the basics and in a historical context. I will start by giving the main point of this article in two parts:

SOPA and PIPA have little to nothing to do with protecting intellectual property. They are solely about control of the medium and, therefore, the message.

Yes, that is a Marshall McLuhan reference.

Copyright and intellectual property disputes have a history of abuse in the U.S. Even before the internet as we know it, there was a rather famous case where Universal sued a budding video game developer called Nintendo for infringing on their intellectual property “King Kong” with the game called “Donkey Kong.” A large, wealthy movie studio and distributor was using copyright law to beat down and try to get a piece of the pie from a popular game in the fledgling video game industry of the early ’80s. Just as it seemed that Universal was about to win or Nintendo was going to need to settle the case just to prevent an expensive legal battle, it was revealed that Universal didn’t actually have the rights to “King Kong,” and had in fact argued that “King Kong” was in the public domain years before. Without this revelation, who knows what could have happened in technology and entertainment, but it is worrying to think about how close things came, simply over a claim of copyright infringement by a party with lots of money against a little guy who had little at that time.

Under current U.S. Law, we have the Digital Millennium Copyright Act (DMCA). Passed in 1998, this was intended to protect intellectual property online, or at least that was the story that was given for it. Like SOPA and PIPA, it was extraordinarily shortsighted, and failed to grasp the magnitude of the internet and the fact that it’s a global system, not simply a U.S. property. Most cease and desist letters for infringement on copyright that get things taken off Youtube or other sites are based on claims under the DMCA. This was the primary reason that Napster was originally taken offline.

However, when the DMCA went into law and the first infringement letters were sent out, another battle began, and certain truths began to come out. Let’s take the music industry as an example. Here, this battle arose between the actual artists and major record labels. People began to understand that most artists don’t get that much off of their record sales, but that most of the money went to the label instead. In short, the DMCA was not protecting the artists, but was instead protecting a business model that was fast becoming outdated. It was the labels refusing to change their business model, feeling that they should continue to do business the way they’ve always done and make money the way they always had. And, boy, have they gone kicking and screaming into the new millennium.

You see, the problem is that under the old system, artists needed the labels. There was no way they could get their material out into wide distribution without them. But, suddenly, artists didn’t need the labels anymore. Under a new online system, the “industry” could be bypassed and would no longer be needed. Of course, that didn’t stop them. They brought lawsuits against people for file-sharing with dubious evidence at best, and most people have settled these lawsuit because they can’t afford the same legal bills the industry can. Money isn’t the result of lawsuits anymore; it’s how they’re won.

The DMCA has been used in other, chilling ways, mostly to silence criticism and free speech. One example was when the Church of Scientology attempted to silence their critics online by claiming that by revealing their secrets, the critics were infringing on their intellectual property and, therefore, violating the DMCA. Again, it’s about controlling the message.

Ultimately, the DMCA has proven to be rather ineffectual in maintaining control. It requires too precise a strike each time, having to cite each individual instance and giving the violator an opportunity to remove the offending material. Something that is difficult to do, since many have discovered that once something is out there, it’s nearly impossible to remove it from the internet. This is where SOPA and PIPA come in.

Under these acts, a mere claim of infringement could have an entire site taken down or blocked. Think of it this way: Under the current system, if someone posts something to Youtube that infringes on copyright, they would notify Youtube of the infringement, and the infringing material is taken down. Under these new proposed laws, the whole of Youtube could be taken down. And I need to point out something here. This is not if the a case gets brought to trial and they’re found guilty. This is if there’s a claim of infringement. In short, it could be used to silence critics immediately, as the DMCA has been used to do, and effectively puts into U.S. Law a variation of the atrocious British libel system, where a claim of libel is already assumed to be true and the defendant must prove their innocence, usually against a party who has many more resources at their disposal to fight in court. In other words, we’re talking about the end of fair use and free speech.

Should artist be protected from having their intellectual property stolen? Yes, although as an artist myself I have to admit that I’m not exactly impartial. However, these laws not only go too far but don’t protect artists. They protect controls put in place by large industries. They protect industries, outdated business practices, and those with resources vastly exceeding those available to the little guy. You see, on the internet, we’re all equals. Everyone can have an equal voice. It’s the ideal democracy, the very essence of “one man, one vote,” where I have the same say as, say, the CEO of a major bank. Under these proposed laws, that could ends, as the little guy gets silenced immediately and will be unable to defend himself against the resource of those who will win simply by outspending them in the ensuing fight. The internet allows the bypassing of these old systems. A recent example would the Occupy movement, which was a genuine grassroots movement where information circulated primarily through the internet because at first the major media outlets refused to even recognize its existence. When Occupy became a significant meme online, the media companies had no choice but to address it. Under these laws, any speech by could be silenced if someone says so. Chilling? I would say so, and it violates one of the basic freedoms we are supposed to enjoy in the U.S.

However, as I write this post, lawmakers are taking note. Even former co-sponsors Roy Blunt and Marco Rubio have withdrawn their support in the face of massive public outcry. You may notice the ribbon in the upper right corner of this site. This will remain up through the scheduled vote on January 24. Clicking on it will take you to the Stop American Censorship page where you can sign a petition where you can make your voice heard. I encourage you to make you voice heard. They’re listening.

Update (1/12/2012):

We won! Sort of…

The SOPA and PIPA bills have been postponed indefinitely. However, this does not mean that the fight is over. The fact that these were proposed and considered so seriously with so much congressional support is concerning in and of itself. This was not the first time there’s been an attempt to put content control into law, and it won’t be the last. From the CNN article:

“The House will ‘postpone consideration of the legislation until there is wider agreement on a solution,’ House Judiciary Committee Chairman Lamar Smith said in a written statement.”

I will emphasize that these bills are not dead, just postponed. Your voice still needs to be heard, and I encourage everyone to continue writing to your representatives to make your opinion know. But for now, we’ve been heard and listened to, the people won, and independent artists and innovators can enjoy a victory, even if it’s temporary, as the war rages on.

New Year’s Post: Better Late than Never

ThumbnailSo, here we are, halfway through January already, and I have yet to make a post to this blog. In my defense, part of the reason for this is that I suffered a catastrophic computer failure on New Year’s Eve. After six years of being driven really hard, my old laptop kicked the bucket, and I had to order a new one in the emergency. After all, I’m not going to get anything done without a working computer or be able to write to this blog. Since then, I’ve had some usual distractions, but have been spending most of my time on the new computer (which I’m writing this one) setting it up the way I like it. Which is not easy, as I’ve been married to Windows XP for the last ten years. In my opinion, XP is where Microsoft finally got it right, and I was reluctant to move away from something that had proven itself so well. I avoided Vista like the plague, and I’m now running on Windows 7, which is familiar and yet different enough that I get lost easily. So far, I like it and I don’t, although what I don’t like is probably due to my lack of familiarity.

Well, onto the New Year’s post. I wasn’t sure what I wanted to write in this post. All I knew was that I needed to write something. I’ve averaged about one post per month lately, which isn’t good. I need to keep up, make people know that I’m still alive. I didn’t want to write any New Year’s resolutions. I don’t believe in them. I’m a firm believer that, if you want to make a change, there’s no reason not to do it now, immediately, in the middle of the week, month, or year. However, I will make some New Year’s reaffirmations, to be sure that I stay on track with my goals:

  • Continue getting in better shape. I was doing this fairly consistently, although I’ve had some trouble lately for various reasons. So I just need to keep plugging away.
  • Finish the first draft of my novel by my birthday. I initially had the goal of completing it by the end of 2011, but I knew at the time that it was probably too ambitious. I’m giving myself a new goal of completing it by my birthday in March. Again, this might actually be rather ambitious, but it’s more reasonable, and I’ll hopefully make it. Then comes the editing…
  • Continue the job hunt. I’ve had some good prospects, but I need to continue looking for regular work, even at the expense of finishing my novel in March. The bills need to be paid.
  • Post more regularly to the blog. Yes, I know, I keep saying this, but I’m coming up with a schedule in my head for how I want to do this, so I can make it more consistent.
  • Find a cheaper place to live. I need to cut my expenses down, especially with the anticipation of more expenses in the future. So I need to save more money, and to do that, I need to cut expenses. I’ve enjoyed where I’m at up to now, but the expense has recently been vastly outweighing what I’m getting for my money.

I don’t think these are unreasonable, and they’re just continuations of what I’ve already been doing. Although the last one is new, but something I’ve known would be coming along anyway.

On a side note and an as update to my earlier posts on my experience DMing Dungeons & Dragons Encounters, the season I was DMing finished, and it seems that a fun time was had by all. I had a very consistent group during the entire season, and by the end I had killed two players’ characters. I guess I was more brutal than I’d planned. Unfortunately, the location where I’ve been playing did not get the new season because there was too much interest in it, so now I’m in a group has started getting together in the off season to play The Dresden Files RPG. We’ve had one play session so far, but it seems pretty fun and I’m looking forward to the whole campaign. And while I’m talking about D&D, I will have some thoughts about D&D 5th edition (commonly referred to right now as D&D Next) later on. But in short, I think that Wizards of the Coast may be missing the point of why they’re having some issues with 4th edition. More later.

A happy belated New Year, and get cracking on those resolutions.

Book Review: Sausagey Santa

Sausagey Santa
Sausagey Santa by Carlton Mellick III
My rating: 4 of 5 stars

If there’s one thing that you should take away from Sausagey Santa by Carlton Mellick III, it’s probably that you should never marry a woman named Decapitron because she will annihilate you.

“Sly Guy” Matthew Fry is in such a predicament. He marries a dominatrix who calls herself Decapitron, who is also into ultimate fighting by night (you can guess what her signature move is just by her name). But now it’s Christmas Eve, and their family is together to share in her Christmas traditions, which included the telling of the true story of Santa. You see, King Kringle was actually an evil man who hated children and the Baby Jesus, so after several acts in accordance with this hatred, he is cursed to live forever and spread joy to children on Christmas, which is a living Hell for him. He tries to kill himself several times, but he can’t die, and the elves being master worksmen simply repair him. Finally, he thinks he’s found a way out by jumping into a meat grinder. While the elves are perplexed for a couple of days, they finally just stuff Kringle’s meat paste into sausage balloons, reassemble him into a reasonable human shape, and put him back to work. Over time, he learned to enjoy his task, and became known as Sausagey Santa, or Santa for short.

And that’s just the beginning of the story. Things get a lot more complicated when Sly Fry learns the story is true. And Frosty is involved. And there’s a kidnapping. And a cabbage suit. And zombies.

This novel was actually really awesome. I loved this take on the Santa story, and found myself laughing quite a few times, particularly at the way Santa talks like pirate (and laughs like one, as opposed to the traditional “Ho ho ho!”). Great action, great sense of humor, and great at turning conventions on their heads.

A complaint I typically have with a lot of Bizarro books is the ending. That is not the case with this story. The ending was perfect, not necessarily wrapped up nice and neat like a Christmas present, but still perfect for the tone of the story.

If I do have a complaint, it would be two things. The kids were…okay, but frankly felt a little off. Don’t get me wrong, they fit well into the story, and yet it felt like they could use more development or have a couple of them removed altogether. The second is the villain. The only development or characterization we get is background info told by Santa and the elves. He doesn’t have much of a character himself. The old saying goes that an audience will hate a good villain, but love a great one. But this one I was nearly indifferent to and simply had a presence to develop the heroes, and had no real character himself, which was disappointing giving how clever his concept is otherwise.

So break out the television cake, put on those chainsaw angel wings, and fry up some oysters. This one is a good, if only minorly flawed, ride.

Sausagey Santa by Carlton Mellick III earned 4 fried oysters out of 5.

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Book Review: Christmas on Crack

Christmas on Crack by Carlton Mellick III
My rating: 4 of 5 stars

Mrs. Claus puts a hit out on her unfaithful husband. Giants crabs with laser trying to ruin the perfect Christmas. Elf porn!

These are the Christmas-themed Bizarro short stories that make up Christmas on Crack, edited by Carlton Mellick III. Yes, I chose to read this one in time for the holidays. Because I’m just that twisted.

You’ll have your pick from thoroughly Bizarro stories here, and there’s no shortage of Bizarro-ness. There also no shortage of Christmas-ness in these stories, rather than stories that are only loosely related to Christmas. Which is strange when you think about the latter. Christmas is a holiday that really lends itself well to this genre.

A quick summary for each story is as follows:

Santa Claus and the Elves of Fuck by Jordan Krall:
Mrs. Claus puts a hit out on Santa for stepping out on her. But did he really step out, or has he been kidnapped?

Frosty and the Full Monty by Jeff Burk:
Frosty comes to life, but finds that living snowmen are addiction-prone, particularly to ice. Snowjobs aplenty.

Unwanted Gifts by Andrew Goldfarb:
A short, one page cartoon.

Two-Way Santa by Kevin L. Donihe:
Santa has quit his north pole gig, but is now homeless. That is, until someone gives him a place to stay for the night…

The Christmas Turn-On by Edmund Colell:
Imagine that the batteries used in your Christmas toys were alive and looked forward to Christmas because to them it was one big orgy.

The Elf-Slut Sisters by Cameron Pierce and Kirsten Alene:
In short, elf porn. Dark elf porn. Twisted and dark elf porn.

Christmas Crabs by Kevin Shamel:
Giant crabs with lasers try to ruin Christmas, but Rudy Olen won’t let that stop him from having the perfect family Christmas.

So, how are they? As is often the case with anthologies, some of these stories are better than others, and it’s really according to taste, but there’s really not a miss among them. They’re all solid stories told in a few pages each. My particular favorite was Christmas Crabs, but again this is likely according to taste as this story brought up memories of “National Lampoon’s Christmas Vacation,” a classic in its own right. The Elf Slut Sisters might be a little disturbing, no make that a lot disturbing, to those who aren’t prepared or haven’t read things by Cameron Pierce before. Fortunately, I’ve read and reviewed Ass Goblins of Aushwitz previously, so I had some idea what I was in for.

If you’re looking for some really messed-up Christmas stories, this is the place. There’s something for everyone and every level and type of dementia (we’re all a little mad). At the same time, being short stories by different authors, there are going to be certain stories that simply won’t click with some readers. It’s a measured risk with anthologies. However, I can still give the collection a hearty recommendation.

Christmas on Crack, edited by Carlton Mellick III, earns 4 “Ho’s” our of 5.

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Book Review: Beyond the Valley of the Apocalypse Donkeys

Beyond the Valley of the Apocalypse Donkeys
Beyond the Valley of the Apocalypse Donkeys by Jordan Krall
My rating: 4 of 5 stars

Upon reading the title, your first thought may be “What exactly is an Apocalypse Donkey?” For the answer to this question, please call 1-800-APOCADONK.

Okay, so my first thought on reading Beyond the Valley of the Apocalypse Donkeys by Jordan Krall was that the author needs to lay off the acid for a bit. This one gets weird. Like, really weird. But then again, it has to. How else can you fit nudists, donkey masks, green hummingbirds, and blueberry pancakes in the same narrative?

Henry delivers sporting goods to a nudist colony for his uncle, Vincent. As such, he’s allowed to periodically “hang out” (get it?), and at one points meets an older woman wearing a donkey mask which she never takes off. While the two have their tryst (she’s cheating on her ex-dare-devil husband, Bill, although he’s well aware of her infidelity, not to mention his own), Henry is also dealing with Gary, who believes (i.e., obsessed) that Henry could get him a copy of one of the rarest movies in existence, “The Apocalypse Donkey.” A murder, a kidnapping, a not-quite orgy, a director’s cut, blueberry pancakes, and general mayhem later, and you’re left asking “What did I just read?”

But the thing is, like “The Apocalypse Donkey” and blueberry pancakes, it sticks with you. You keep reading, wondering where it’s going, and afterwords you keep thinking about it and wonder where it went. This is the mark of a good writer, making you continue to think about the book long after it’s done. Like blueberry pancakes, you’ll keep digesting it over and over. And in the end, you realize things really couldn’t have gone any other way.

When reading this book, you’ll also need to be sure that you read the Afterword by Matthew Revert. This is a little gem tucked in at the end that I’m concerned being an Afterword will get largely ignored by many who read the book. Written as an alternate history and telling the tale of the “original” Jordan Krall (as explained in the Foreword) and production and publication of the Beyond the Valley of the Apocalypse Donkeys, the best way I can describe it is “mind-numbingly hysterical.”

Beyond the Valley of the Apocalypse Donkeys by Jordan Krall earns 4 out of 5 stars.

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